Claus Levin - is Archive: THE POWER BLUES SKILL BUILDER.
Archive: Claus Levin - THE POWER BLUES SKILL BUILDER
GREAT LINES AND LICKS is CREATING THE SKILL OF CREATING GREAT LINES ON THE SPOT HOW TO BUILD GREAT LICKS STEP BY STEP CREATE YOUR OWN ORIGINAL LINES INSTANTLY SIMPLE TO UNDERSTAND & EASY TO USE THE PERFECT SOLOING TRAINING GROUND.
CREATING GREAT LINES AND LICKS THE SKILL OF CREATING GREAT LINES ON THE SPOT HOW TO BUILD GREAT LICKS STEP BY STEP CREATE YOUR OWN ORIGINAL LINES INSTANTLY SIMPLE TO UNDERSTAND & EASY TO USE THE PERFECT SOLOING TRAINING GROUND
you is Have been practicing quite intensely, but can't seem to put it all together?.
Have you been practicing quite intensely, but can't seem to put it all together?
You is have a lot of pieces of the puzzle, but the ability to play fluently eludes you?.
You have a lot of pieces of the puzzle, but the ability to play fluently eludes you?
The reason is is so obvious when you know what it is: You are missing the skills that bring it all together..
The reason is so obvious when you know what it is: You are missing the skills that bring it all together.
You is are missing a few pieces of the puzzle that are rarely taught..
You are missing a few pieces of the puzzle that are rarely taught.
WE is CALL THEM TALENTED, BUT....
WE CALL THEM TALENTED, BUT...
We is are taught that if we learn chords, scales, licks, rhythm and theory it will all come together into this dynamic playing style that looks effortless and easy..
We are taught that if we learn chords, scales, licks, rhythm and theory it will all come together into this dynamic playing style that looks effortless and easy.
it is But doesn't..
But it doesn't.
It is only comes together for a few people who are lucky enough to do the right thing accidentally..
It only comes together for a few people who are lucky enough to do the right thing accidentally.
we is Then because don't understand the cause of their success we call them talented..
Then because we don't understand the cause of their success we call them talented.
THE GAPS is FILL IN.
FILL IN THE GAPS
you is What and I need to do is to fill in the gaps..
What you and I need to do is to fill in the gaps.
We is need to learn the skills that bring everything together and the blues is such a perfect training ground for this..
We need to learn the skills that bring everything together and the blues is such a perfect training ground for this.
these pieces of is Getting your puzzle right might be the most effective thing you can do right now..
Getting these pieces of your puzzle right might be the most effective thing you can do right now.
It is might be the one thing that holds you back more than anything else..
It might be the one thing that holds you back more than anything else.
YOUR INSTRUMENT is HOW TO REALLY MASTER.
HOW TO REALLY MASTER YOUR INSTRUMENT
I is used to look at blues as a quick way to jam with other musicians..
I used to look at blues as a quick way to jam with other musicians.
Everyone is knew what to do..
Everyone knew what to do.
I is just had to yell "Blues in A" the drummer picked the beat and off we all went..
I just had to yell "Blues in A" the drummer picked the beat and off we all went.
I is But then started obsessing about Blues player extraordinaire Stevie Ray Vaughn..
But then I started obsessing about Blues player extraordinaire Stevie Ray Vaughn.
I is studied his playing style like it was the only thing in the world for months, designed practice routines to target the skills I wanted and the most amazing thing happened..
I studied his playing style like it was the only thing in the world for months, designed practice routines to target the skills I wanted and the most amazing thing happened.
his playing is By analyzing what went on in and then devising practice routines and methods that I could use to quickly attain his skills - I totally and completely changed my experience of soloing..
By analyzing what went on in his playing and then devising practice routines and methods that I could use to quickly attain his skills - I totally and completely changed my experience of soloing.
IT is WHERE ALL COMES TOGETHER.
WHERE IT ALL COMES TOGETHER
Months is of practicing technique, licks and sequences came together into something I could really use and I had attained a whole new level of professional competence in this area..
Months of practicing technique, licks and sequences came together into something I could really use and I had attained a whole new level of professional competence in this area.
It is spread into all areas of my playing and into all styles that I was involved in..
It spread into all areas of my playing and into all styles that I was involved in.
The lessons is I derived from going deeply into his playing and the blues discipline was exactly what I needed to put together all my skills into one major skill: Mastering soloing..
The lessons I derived from going deeply into his playing and the blues discipline was exactly what I needed to put together all my skills into one major skill: Mastering soloing.
This course is is the result of rethinking and refining the tools I used to get there..
This course is the result of rethinking and refining the tools I used to get there.
MANUALS MANUALS is DOWNLOAD THE SKILL BUILDER THE SKILL BUILDER & MANUALS - PART 1 (22:11) THE SKILL BUILDER & JAM TRACKS - PART 2 (24:40) SOUND CONTROL SOUND CONTROL - PART 1 (21:17) SOUND CONTROL - PART 2 (29:24) THE ART OF PHRASING THE ART OF PHRASING - PART 1 (24:47) THE ART OF PHRASING - PART 2 (25:06) THE ART OF PHRASING - PART 3 (26:49) THE ART OF PHRASING - PART 4 (17:18) EXERCISE VIDEOS (3:31) EXPANDING THE BLUES SCALE EXPANDING THE BLUES SCALE (32:35) THE SUPER SKILL THE SUPER SKILL- PART 1 (35:38) THE SUPER SKILL - PART 2 (32:44) THE SUPER SKILL - PART 3 (34:06) CREATING LINES & LICKS CREATING LINES & LICKS - PART 1 (23:51) CREATING LINES & LICKS - PART 2 (31:53) CREATING LINES & LICKS - PART 3 (32:54) CREATING LINES & LICKS - PART 4 (29:38) CREATING LINES & LICKS - PART 5 (21:37) CREATING LINES & LICKS - PART 6 (15:50) PUTTING IT ALL TOGETHER PUTTING IT ALL TOGETHER - PART 1 (33:05) PUTTING IT ALL TOGETHER - PART 2 (27:38) PUTTING IT ALL TOGETHER - PART 3 (33:20) PUTTING IT ALL TOGETHER - PART 4 (27:51) PUTTING IT ALL TOGETHER - PART 5 (23:45) PUTTING IT ALL TOGETHER - PART 6 (32:46) EXERCISES BENDING EXERCISE ONE (0:24) BENDING EXERCISE TWO (0:14) BENDING EXERCISE THREE (0:27) VIBRATO EXERCISE ONE (0:15) VIBRATO EXERCISE TWO (0:28) SLIDING EXERCISE ONE (0:23) SLIDING EXERCISE TWO (0:32) SLIDING EXERCISE THREE (0:48) Sales Page.
DOWNLOAD MANUALS MANUALS THE SKILL BUILDER THE SKILL BUILDER & MANUALS - PART 1 (22:11) THE SKILL BUILDER & JAM TRACKS - PART 2 (24:40) SOUND CONTROL SOUND CONTROL - PART 1 (21:17) SOUND CONTROL - PART 2 (29:24) THE ART OF PHRASING THE ART OF PHRASING - PART 1 (24:47) THE ART OF PHRASING - PART 2 (25:06) THE ART OF PHRASING - PART 3 (26:49) THE ART OF PHRASING - PART 4 (17:18) EXERCISE VIDEOS (3:31) EXPANDING THE BLUES SCALE EXPANDING THE BLUES SCALE (32:35) THE SUPER SKILL THE SUPER SKILL- PART 1 (35:38) THE SUPER SKILL - PART 2 (32:44) THE SUPER SKILL - PART 3 (34:06) CREATING LINES & LICKS CREATING LINES & LICKS - PART 1 (23:51) CREATING LINES & LICKS - PART 2 (31:53) CREATING LINES & LICKS - PART 3 (32:54) CREATING LINES & LICKS - PART 4 (29:38) CREATING LINES & LICKS - PART 5 (21:37) CREATING LINES & LICKS - PART 6 (15:50) PUTTING IT ALL TOGETHER PUTTING IT ALL TOGETHER - PART 1 (33:05) PUTTING IT ALL TOGETHER - PART 2 (27:38) PUTTING IT ALL TOGETHER - PART 3 (33:20) PUTTING IT ALL TOGETHER - PART 4 (27:51) PUTTING IT ALL TOGETHER - PART 5 (23:45) PUTTING IT ALL TOGETHER - PART 6 (32:46) EXERCISES BENDING EXERCISE ONE (0:24) BENDING EXERCISE TWO (0:14) BENDING EXERCISE THREE (0:27) VIBRATO EXERCISE ONE (0:15) VIBRATO EXERCISE TWO (0:28) SLIDING EXERCISE ONE (0:23) SLIDING EXERCISE TWO (0:32) SLIDING EXERCISE THREE (0:48) Sales Page
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