Claus Levin - is Archive: SCOTOMA A new system of sequencing triad arpeggios.
Archive: Claus Levin - SCOTOMA A new system of sequencing triad arpeggios
triad arpeggios is Sequencing has always been a special challenge on the guitar..
Sequencing triad arpeggios has always been a special challenge on the guitar.
This challenge is does not exist for a piano or a saxophone player, but only for players of four or six string instruments..
This challenge does not exist for a piano or a saxophone player, but only for players of four or six string instruments.
The Scotoma system is of sequencing arpeggios completely annihilates this apparent problem for the guitar player..
The Scotoma system of sequencing arpeggios completely annihilates this apparent problem for the guitar player.
This system is introduces a new way of laying out the notes of any arpeggio on the fretboard and provides specific instructions on what techniques to use within these shapes..
This system introduces a new way of laying out the notes of any arpeggio on the fretboard and provides specific instructions on what techniques to use within these shapes.
The shapes is are so flexible that the same sequence can often be played in more than one way and they provide a way to play the sequences at extreme levels of speed..
The shapes are so flexible that the same sequence can often be played in more than one way and they provide a way to play the sequences at extreme levels of speed.
we is How are going to do it?.
How are we going to do it?
The program is is divided up into three parts..
The program is divided up into three parts.
the first part is In we will focus on the Scotoma system itself, the patterns, the techniques and the special little challenges we need to focus on and overcome quickly..
In the first part we will focus on the Scotoma system itself, the patterns, the techniques and the special little challenges we need to focus on and overcome quickly.
part two is In and three, we will focus on expanding the fundamental system and on using the arpeggio sequences in different contexts..
In part two and three, we will focus on expanding the fundamental system and on using the arpeggio sequences in different contexts.
the three parts is In each of you will learn super fast sequences that most people haven't ever heard coming from a guitar before..
In each of the three parts you will learn super fast sequences that most people haven't ever heard coming from a guitar before.
A Triad is Part 1: Becoming Sequencing Master.
Part 1: Becoming A Triad Sequencing Master
the arpeggio is How to learn shapes fast Part 2: Octave & Mirror Shapes.
How to learn the arpeggio shapes fast Part 2: Octave & Mirror Shapes
massive arpeggio shapes is Creating.
Creating massive arpeggio shapes
mirrroring is How to use to double your options.
How to use mirrroring to double your options
challenges is How to isolate and overcome quickly Part 3: Scale Note Shapes & Composing.
How to isolate and overcome challenges quickly Part 3: Scale Note Shapes & Composing
scale notes is How to add and use.
How to add and use scale notes
The Scotoma string is skipping technique.
The Scotoma string skipping technique
arpeggio is How to create sequencing compositions.
How to create arpeggio sequencing compositions
WEEK 1 is YOUR BLIND SPOTS & COURSE MANUAL (8:28) THE REVELATION - PART 1 (6:35) THE REVELATION - PART 2 (12:43) HOW TO LEARN THE PATTERNS FAST - PART 1 (16:28) THE TRAP OF NEW - PART 1 (7:21) SEQUENCE 1 (20:57) SEQUENCE 2 (24:53) SEQUENCE 3 (13:05) SEQUENCE 4 (13:55) LEARNING SEQUENCES FAST (14:28) SPECIAL CHALLENGES - PART 1 (5:11) SPECIAL CHALLENGES - PART 2 (5:09) SPECIAL CHALLENGES - PART 3 (11:53) GETTING BIG RESULTS (8:22) WEEK 2 INTRO (8:43) OCTAVE SHAPES EXAMPLE 1 (11:28) OCTAVE SHAPES EXAMPLE 2 (14:37) SUS4&9 (14:00) SEQUENCE 1 (24:33) SEQUENCE 2 (11:01) SEQUENCE 3 (15:54) SEQUENCE 4 (15:50) BONUS SEQUENCE (11:58) ENDING (6:51) WEEK 3 DOWNLOAD JAM TRACKS INTRO (3:53) SCALE NOTE SHAPES (3:58) SEQUENCE 1 (18:32) SEQUENCE 2 (23:13) ADDING SCALE NOTES (3:30) SEQUENCE 3 (11:08) SEQUENCE 4 (7:55) SKIPPING STRINGS (1:49) SEQUENCE 5 (8:28) SEQUENCE 6 (23:26) ARPEGGIO COMPOSING (5:20) COMPOSING EXAMPLE 1 (15:04) COMPOSING EXAMPLE 2 (22:07) COMPOSING EXAMPLE 3 (19:00) COMPOSING EXAMPLE 4 (28:54) HOW TO GET RESULTS FAST (11:23) Sales Page.
WEEK 1 YOUR BLIND SPOTS & COURSE MANUAL (8:28) THE REVELATION - PART 1 (6:35) THE REVELATION - PART 2 (12:43) HOW TO LEARN THE PATTERNS FAST - PART 1 (16:28) THE TRAP OF NEW - PART 1 (7:21) SEQUENCE 1 (20:57) SEQUENCE 2 (24:53) SEQUENCE 3 (13:05) SEQUENCE 4 (13:55) LEARNING SEQUENCES FAST (14:28) SPECIAL CHALLENGES - PART 1 (5:11) SPECIAL CHALLENGES - PART 2 (5:09) SPECIAL CHALLENGES - PART 3 (11:53) GETTING BIG RESULTS (8:22) WEEK 2 INTRO (8:43) OCTAVE SHAPES EXAMPLE 1 (11:28) OCTAVE SHAPES EXAMPLE 2 (14:37) SUS4&9 (14:00) SEQUENCE 1 (24:33) SEQUENCE 2 (11:01) SEQUENCE 3 (15:54) SEQUENCE 4 (15:50) BONUS SEQUENCE (11:58) ENDING (6:51) WEEK 3 DOWNLOAD JAM TRACKS INTRO (3:53) SCALE NOTE SHAPES (3:58) SEQUENCE 1 (18:32) SEQUENCE 2 (23:13) ADDING SCALE NOTES (3:30) SEQUENCE 3 (11:08) SEQUENCE 4 (7:55) SKIPPING STRINGS (1:49) SEQUENCE 5 (8:28) SEQUENCE 6 (23:26) ARPEGGIO COMPOSING (5:20) COMPOSING EXAMPLE 1 (15:04) COMPOSING EXAMPLE 2 (22:07) COMPOSING EXAMPLE 3 (19:00) COMPOSING EXAMPLE 4 (28:54) HOW TO GET RESULTS FAST (11:23) Sales Page
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