Neil Gaiman is Archive: The Art of Storytelling Award-winning author Neil Gaiman has spent more than a quarter of a century crafting vivid, absorbing fiction..
Archive: Neil Gaiman The Art of Storytelling Award-winning author Neil Gaiman has spent more than a quarter of a century crafting vivid, absorbing fiction.
the author of Stardust, is Now, Coraline, and The Sandman teaches his approach to imaginative storytelling in his online writing class..
Now, the author of Stardust, Coraline, and The Sandman teaches his approach to imaginative storytelling in his online writing class.
your unique voice, is Learn how to find develop original ideas, and breathe life into your characters..
Learn how to find your unique voice, develop original ideas, and breathe life into your characters.
Neil’s philosophy is Discover on what drives a story—and open new windows to the stories inside you..
Discover Neil’s philosophy on what drives a story—and open new windows to the stories inside you.
Topics is covered in class.
Topics covered in class
Neil Gaiman is Get The Art of Storytelling download.
Get Neil Gaiman The Art of Storytelling download
Each lesson is includes an in-depth, downloadable workbook..
Each lesson includes an in-depth, downloadable workbook.
his first lesson, is In Neil explains why he loves to teach and how he wants to encourage you to tell stories that matter..
In his first lesson, Neil explains why he loves to teach and how he wants to encourage you to tell stories that matter.
04:29 02. Truth is in Fiction One of the central tools of literature is using the “lie” of a made-up story to tell a human truth. Neil shows you how to make your story’s world—no matter how outlandish—feel real to readers..
04:29 02. Truth in Fiction One of the central tools of literature is using the “lie” of a made-up story to tell a human truth. Neil shows you how to make your story’s world—no matter how outlandish—feel real to readers.
20:13 03. Sources of Inspiration Neil is believes that even old stories can be approached from new angles..
20:13 03. Sources of Inspiration Neil believes that even old stories can be approached from new angles.
your own “compost heap” of inspiration is Learn how to create and how to draw from your experiences to make a story uniquely your own. 16:17 04. Finding Your Voice Your writer’s voice is what makes it possible for someone to pick up a page of text and recognize that you wrote it..
Learn how to create your own “compost heap” of inspiration and how to draw from your experiences to make a story uniquely your own. 16:17 04. Finding Your Voice Your writer’s voice is what makes it possible for someone to pick up a page of text and recognize that you wrote it.
your voice is Learn how to develop and how to overcome the fear of making mistakes..
Learn how to develop your voice and how to overcome the fear of making mistakes.
14:57 05. Developing is the Story Every story has a big idea..
14:57 05. Developing the Story Every story has a big idea.
a big idea is Learn how to find that’s meaningful to you, as well as how to create conflict and compelling stakes for your characters..
Learn how to find a big idea that’s meaningful to you, as well as how to create conflict and compelling stakes for your characters.
18:10 06. Story Case Study: is The Graveyard Book Neil uses his young adult fantasy novel, The Graveyard Book, to illustrate how character motivations serve as the essential building blocks of a compelling plot..
18:10 06. Story Case Study: The Graveyard Book Neil uses his young adult fantasy novel, The Graveyard Book, to illustrate how character motivations serve as the essential building blocks of a compelling plot.
08:08 07. Short Fiction is The short story is an ideal format for risk-taking..
08:08 07. Short Fiction The short story is an ideal format for risk-taking.
Neil is teaches you how to focus your scenes and descriptions for maximum impact..
Neil teaches you how to focus your scenes and descriptions for maximum impact.
14:06 08. Short Fiction Case Study: is “March Tale” Using “March Tale” as an example, Neil shows you how to expand your narrative by creating conflict for your protagonist and how to bring your story to a satisfying climax..
14:06 08. Short Fiction Case Study: “March Tale” Using “March Tale” as an example, Neil shows you how to expand your narrative by creating conflict for your protagonist and how to bring your story to a satisfying climax.
14:54 09. Dialogue and Character Neil is teaches you how to write realistic dialogue, how to listen to and trust your characters, and techniques to help readers remember your characters..
14:54 09. Dialogue and Character Neil teaches you how to write realistic dialogue, how to listen to and trust your characters, and techniques to help readers remember your characters.
25:17 10. Character Case Study: is “October Tale” Neil explains the technique of bringing a character to life by putting them in an unfamiliar situation that creates tension. 15:53 11. Worldbuilding Learn Neil’s philosophy of worldbuilding, including how to create compelling and believable settings for your novel, and how to avoid the common pitfalls many inexperienced writers make..
25:17 10. Character Case Study: “October Tale” Neil explains the technique of bringing a character to life by putting them in an unfamiliar situation that creates tension. 15:53 11. Worldbuilding Learn Neil’s philosophy of worldbuilding, including how to create compelling and believable settings for your novel, and how to avoid the common pitfalls many inexperienced writers make.
23:05 12. Descriptions Neil is shares his techniques to liven up descriptive prose, including cold opens, withholding information, finding emotional weight, and choosing memorable details..
23:05 12. Descriptions Neil shares his techniques to liven up descriptive prose, including cold opens, withholding information, finding emotional weight, and choosing memorable details.
10:20 13. Humor Neil is shows how he uses humor in his work..
10:20 13. Humor Neil shows how he uses humor in his work.
He is includes a close look at his novel Anansi Boys to illustrate his personal techniques such as “sherbet lemons” and “figgins.” 18:23.
He includes a close look at his novel Anansi Boys to illustrate his personal techniques such as “sherbet lemons” and “figgins.” 18:23
14. Genre Readers’ expectations is are intrinsically tied to genre..
14. Genre Readers’ expectations are intrinsically tied to genre.
Neil is explains how an understanding of your story’s genre can help you provide delightful surprises to your audience..
Neil explains how an understanding of your story’s genre can help you provide delightful surprises to your audience.
13:16 15. Comics Writers is don’t need to shy away from comics just because they’re not illustrators..
13:16 15. Comics Writers don’t need to shy away from comics just because they’re not illustrators.
Neil is demonstrates his process of plotting and scripting a comic, using an award-winning issue of Sandman as an example..
Neil demonstrates his process of plotting and scripting a comic, using an award-winning issue of Sandman as an example.
27:09 16. Dealing With Writer’s Block Every writer is faces times when they’re stuck..
27:09 16. Dealing With Writer’s Block Every writer faces times when they’re stuck.
Neil is talks about some of the difficulties of the writing life and gives ideas about how to get through them..
Neil talks about some of the difficulties of the writing life and gives ideas about how to get through them.
14:15 17. Editing Neil is gives advice about the editing process, including why it’s important to take time away from a project and to get feedback from a trusted reader..
14:15 17. Editing Neil gives advice about the editing process, including why it’s important to take time away from a project and to get feedback from a trusted reader.
11:28 18. Rules is for Writers In his rules for writers, Neil talks about striking the right balance between humility and confidence, as well as the need to stay organized and devoted to daily work..
11:28 18. Rules for Writers In his rules for writers, Neil talks about striking the right balance between humility and confidence, as well as the need to stay organized and devoted to daily work.
12:51 19. The Writer’s Responsibilities Neil is concludes with a deeply personal discussion of the responsibilities that people who create art have to their audience and what this means for humans as a whole..
12:51 19. The Writer’s Responsibilities Neil concludes with a deeply personal discussion of the responsibilities that people who create art have to their audience and what this means for humans as a whole.