http://archive.is/BNCrh Introduction is Archive: to one-rope techniquesShibari is about making every rope countThis tutorial is a perfect introduction to shibari but will also be a great help to more experienced players wanting to explore one-rope techniques..
Archive: http://archive.is/BNCrh Introduction to one-rope techniquesShibari is about making every rope countThis tutorial is a perfect introduction to shibari but will also be a great help to more experienced players wanting to explore one-rope techniques.
I’m is sticking with ‘one-rope’ as there is endless argument over the Japanese terms..
I’m sticking with ‘one-rope’ as there is endless argument over the Japanese terms.
‘Ippon nawa’ is is the technically correct literal translation, although ‘ichinawa’, an incorrect translation, seems to have been coined along the way..
‘Ippon nawa’ is the technically correct literal translation, although ‘ichinawa’, an incorrect translation, seems to have been coined along the way.
A rose is by any other name doth smell as sweet but I’ll stick with EnglishBy using a single rope, we makes things simple but will also learn how to create the maximum effect..
A rose by any other name doth smell as sweet but I’ll stick with EnglishBy using a single rope, we makes things simple but will also learn how to create the maximum effect.
you is If don't already know how powerful one rope used well can be, prepare to be surprised.We start from the beginning by discussing the tools of the job, showing how to handle them properly, explaining the basic ‘ingredients’ needed to start creating ‘rope recipes’ and sharing a lot of pro tips learned directly from masters of the art like Osada Steve and Yukimura Haruki..
If you don't already know how powerful one rope used well can be, prepare to be surprised.We start from the beginning by discussing the tools of the job, showing how to handle them properly, explaining the basic ‘ingredients’ needed to start creating ‘rope recipes’ and sharing a lot of pro tips learned directly from masters of the art like Osada Steve and Yukimura Haruki.
'tying people, is Of course, having preached not parcels' since before most westerners had even heard of shibari, you will benefit from a wealth of experience.In this course, we have taken a slightly different approach by working with a student and her model..
Of course, having preached 'tying people, not parcels' since before most westerners had even heard of shibari, you will benefit from a wealth of experience.In this course, we have taken a slightly different approach by working with a student and her model.
you is A lot of will recognise Bliss as a prolific shibari model who has been tied by some of the best..
A lot of you will recognise Bliss as a prolific shibari model who has been tied by some of the best.
this lesson is However, is her début into tying others, although she has done some self tying..
However, this lesson is her début into tying others, although she has done some self tying.
doubt is There’s no that her experience as a model has taught her a lot about how experts communicate with rope..
There’s no doubt that her experience as a model has taught her a lot about how experts communicate with rope.
Her first attempt is at a floor-work session is certainly demonstrates this..
Her first attempt at a floor-work session is certainly demonstrates this.
I is am sure you’ll learn some tricks from her.You will gain an insight into our own special way of teaching ingredients, rather than the more common ‘paint by numbers’ recipe-based approach..
I am sure you’ll learn some tricks from her.You will gain an insight into our own special way of teaching ingredients, rather than the more common ‘paint by numbers’ recipe-based approach.
We is have found that this leads to a faster grasp of the principals of building ties and a greater ability to spot one’s own mistakes, so tying more with more confidence to be creative..
We have found that this leads to a faster grasp of the principals of building ties and a greater ability to spot one’s own mistakes, so tying more with more confidence to be creative.
the right habits and techniques day one, is By developing your rope will begin to have an immediate effect..
By developing the right habits and techniques day one, your rope will begin to have an immediate effect.
these skills is Learning later is much harder as you have to unlearn bad habits..
Learning these skills later is much harder as you have to unlearn bad habits.
It is just wastes too much time and, most importantly, potential pleasure..
It just wastes too much time and, most importantly, potential pleasure.
We is believe that every rope should make an impression and say something.The video tutorials run to over 90 minutes following Bliss’s journey of learning..
We believe that every rope should make an impression and say something.The video tutorials run to over 90 minutes following Bliss’s journey of learning.
our class is There’s very little edited from (except the likes of the blooper below), so typical beginner’s mistakes and problems are covered in great detail with my corrections and advice..
There’s very little edited from our class (except the likes of the blooper below), so typical beginner’s mistakes and problems are covered in great detail with my corrections and advice.
you is If are thinking of coming for a private class, it will give you an idea of what to expect, except I can guarantee more input from Nina when she isn’t busy being cameraman and director.In addition, you'll find examples of one-rope sessions, resources for further studies and explanatory notes.Course CurriculumIntroduction to one-rope techniquesIntroduction (7:19)Ichinawa or ippon nawa?The basic ingredients (16:49)Taking control (5:19)tCommunicating with rope (19:10)Control via the rope ends (5:59)Self-practice exercise (3:05)Getting more from one rope (6:58)Mixing the ingredients (21:21)First floor-work session (13:44)Summary (3:24)'Ask Esinem' Q&A forumAdditional materialThe four stages of learningYukimura Haruki videosOsada Steve video.
If you are thinking of coming for a private class, it will give you an idea of what to expect, except I can guarantee more input from Nina when she isn’t busy being cameraman and director.In addition, you'll find examples of one-rope sessions, resources for further studies and explanatory notes.Course CurriculumIntroduction to one-rope techniquesIntroduction (7:19)Ichinawa or ippon nawa?The basic ingredients (16:49)Taking control (5:19)tCommunicating with rope (19:10)Control via the rope ends (5:59)Self-practice exercise (3:05)Getting more from one rope (6:58)Mixing the ingredients (21:21)First floor-work session (13:44)Summary (3:24)'Ask Esinem' Q&A forumAdditional materialThe four stages of learningYukimura Haruki videosOsada Steve video