Sub-Modalities Going Meta – L. Michael Hall and Bob Bodenhamer

Question and Answer

What is We?

We is Archive: make movies in our minds-that’s how we think..

How does We Archive:?

Archive: We make movies in our minds-that’s how we think.

What is we?

we is Yet do more, we represent the world as we see, hear, and sense it and set cinematic frames on them..

How does we do more,?

Yet we do more, we represent the world as we see, hear, and sense it and set cinematic frames on them.

What is NLP?

NLP is got it wrong, these cinematic frames are not sub-modalities, they are meta-level frames..

How does NLP got?

NLP got it wrong, these cinematic frames are not sub-modalities, they are meta-level frames.

What is Modalities Going Meta?

Modalities Going Meta is Sub- is an advanced NLP book that uses Neuro-SemantIcs to continue to discover the structure of experience and re-model NLP with the Meta-States model..

How does Modalities Going Meta is?

Sub-Modalities Going Meta is an advanced NLP book that uses Neuro-SemantIcs to continue to discover the structure of experience and re-model NLP with the Meta-States model.

What is Discover?

Discover is the secrets of sub-modalities and their meta nature Discover the semantic nature of our cinematic frames Discover how to powerfully use cinematic frames for transformation Learn how to effectively use semantically loaded meta-frames (sub-modalities) Disconfirm limiting Beliefs and install empowering Beliefs Set meta-frames for accelerating your learning and understanding Marvel at the magic of structure in the relationship between cinematic features and meaning.

How does Discover powerfully use?

Discover the secrets of sub-modalities and their meta nature Discover the semantic nature of our cinematic frames Discover how to powerfully use cinematic frames for transformation Learn how to effectively use semantically loaded meta-frames (sub-modalities) Disconfirm limiting Beliefs and install empowering Beliefs Set meta-frames for accelerating your learning and understanding Marvel at the magic of structure in the relationship between cinematic features and meaning

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