Music Theory for Electronic Music COMPLETE: Parts 1, 2, & 3

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Summary

• Archive: Music Theory for Electronic Music COMPLETE: Parts 1, 2, & 3 What you'll learn By the end of this course, you will have improved your tracks by understanding how to build chords and melodies that work together.

• Understand and apply minor chords Use the circle of fifths to generate new ideas for your own tracks Work within minor keys to write compelling melodies and basslines The Piano Roll editor Octaves Using Octaves in Bass Lines The Black Keys (not the band!) Finding C and Middle C The Perfect 5th Finding Fifths Being "in key" The pattern of a key Moveable Patterns The major and minor third Building triads Chord progressions What is diatonic?

• Finding all the chords in a key Using roman numerals Inversions 7th chords Maj7 and minor 7th chords Dominant 7th chords Blues and the 7th chord Analysis: Shame On Me (Avicii) Minor scales Relative keys Minor diatonic chord progressions Analysis: Ghosts N Stuff (Deadmau5) Changing keys in your track Analysis: Get Luck (Daft Punk) 9th and 13th chords Suspended Chords Writing melodies for chord progressions Writing chord progressions for melodies Bass lines Analysis: Windowlicker (Aphex Twin) Modes How modes work Producing with Modes Pentatonic Scales Chromatic Mediants Creating music with music theory Exotic scales RequirementsStudents should be enthusiastic about music, but do not need to be producers or musicians.

• No prior experience is needed in music theory, production, or recording.

• Access to a DAW: any program will do.

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